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Showing posts with label San Jose Mercury News. Show all posts
Showing posts with label San Jose Mercury News. Show all posts

Saturday, November 27, 2010

Review: Ahmad Jamal is ageless wonder at Yoshi's - San Jose Mercury News

Review: Ahmad Jamal is ageless wonder at Yoshi's - San Jose Mercury News

hmad Jamal turned 80 in July. One could be forgiven, however, for assuming he's 70. Or even 60.
He still looks great and his energy level is amazing. Then there's his handiwork on the piano, which -- in terms of most of the technical aspects, as well all of the artistic ones -- surpasses what the majority of players one-quarter his age could dream of delivering onstage.
Indeed, Jamal proved to be an ageless wonder on Friday, the first of three nights at Yoshi's at Jack London Square in Oakland. The jazz man -- best known for the '50s hit "Poinciana" and his influence on Miles Davis' music -- proved worthy of the title "living legend," though his set had less to do with nostalgia than it did with proving that
he still has plenty to offer.
The Pittsburgh native's focus was clearly on his new material, tracks from 2008's "It's Magic" and this year's "A Quiet Time." That was fine with the near-capacity crowd, since Jamal and his terrific quartet -- bassist James Cammack, drummer Herlin Riley and percussionist Manolo Badrena -- made nearly every new song sound like it was destined to be a classic.
Plus, it was undeniable treat to see Jamal -- one of the planet's most accomplished jazz artists -- play in a 300-capacity club. The last time he came through Northern California, mind you, it was to perform before thousands as a headliner at the Monterey Jazz Festival.
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Sunday, October 24, 2010

Master Yusef Lateef surrounds Grace Cathedral audience with world-spanning jazz - San Jose Mercury News

Eastern SoundsImage via WikipediaMaster Yusef Lateef surrounds Grace Cathedral audience with world-spanning jazz - San Jose Mercury News
Ninety years old this month, Yusef Lateef was greeted with reverent applause Friday at Grace Cathedral, where close to a full house awaited this master of jazz and world-spanning sounds. As the applause echoed through the cathedral, Lateef began to play, while strolling around the nave, encircling the audience with music, which floated up and through the void.
Pretty soon, the place was exceptionally quiet, except for the very quiet music: Lateef playing a small flute, something like a penny whistle, and Adam Rudolph, his percussionist, playing another flute and making soft whooshes with a length of plastic tubing, which he whirled while walking. They were populating the big sacred space with natural sounds: breath and wind, moans and night sounds, as if desert crickets were speaking through the flutes.
Going back to Duke Ellington's famous sacred concert with his orchestra at Grace in 1965, the cathedral atop Nob Hill has hosted much spiritualized jazz. Since the 1980s, SFJAZZ -- which presented Lateef as part of the ongoing San Francisco Jazz Festival -- has brought many preeminent instrumentalists to Grace for solo or duo concerts. Headliners have ranged from Anthony Braxton to Pharoah Sanders and Joshua Redman.
So it was only a matter of time before Lateef appeared at the cathedral. Along with John Coltrane, Don Cherry (who played at Grace some two decades ago) and a few others, he is a progenitor of jazz as a sacred language, expanding
to embrace the folk and sacred musical traditions of the world. Even before the release of his popular "Eastern Sounds" LP in 1961, Lateef was laying claim to this territory, and, Friday at Grace, he filled the Episcopalian cathedral with Eastern sounds and more.