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Showing posts with label Betty Carter. Show all posts
Showing posts with label Betty Carter. Show all posts

Monday, September 13, 2010

Bobby Watson: On Jazz And BBQ : A Blog Supreme : NPR

Saxophonist Bobby WatsonImage via WikipediaBobby Watson: On Jazz And BBQ : A Blog Supreme : NPR
When alto saxophonist Bobby Watson returned to Kansas City, it was a big deal. Despite its jazz legacy, Kansas City felt overlooked compared to other jazz towns, and often lost its best musicians to bigger cities. So for one of its own to return — especially a world-class player like Watson — brought a lot of buzz to the tight-knit scene.
Watson is a Kansas City-area native, but he left in order to make a name for himself in the jazz world. He attended the University of Miami alongside fellow students Pat Metheny and Jaco Pastorius. After he graduated in 1975, Watson moved to New York City and played with Art Blakey's Jazz Messengers from 1977-1981. He's played with nearly everyone, from Max Roach, George Coleman and Branford and Wynton Marsalis to Dianne Reeves, Betty Carter and even Carlos Santana.
After more than 25 years touring the world and living in New York, Watson returned to his hometown in 2000 to serve as the William and Mary Grant-Endowed Professor of Jazz and Director of Jazz Studies at the University of Missouri-Kansas City. Now, the veteran saxophonist and professor has released the album of his long-awaited, seven-part work for large ensemble: The Gates BBQ Suite. (The piece premiered in December 2008 in a live performance with UMKC’s Conservatory Concert Jazz Orchestra.) Watson says the suite — more than five years in the making and completely self-financed — is a "dream piece," a labor of love. But it's also a supremely fun collection of songs in a classic big band tradition.

Sunday, August 22, 2010

As the Detroit jazz fest's artist-in-residence, pianist Mulgrew Miller celebrates the icons who shaped him | freep.com | Detroit Free Press

As the Detroit jazz fest's artist-in-residence, pianist Mulgrew Miller celebrates the icons who shaped him | freep.com | Detroit Free Press
The apprentice system was once the lifeblood of jazz. Gifted young musicians moved to a major city like New York, signed on with one of dozens of working bands and assimilated the subtleties of the tradition on the bandstand.
But that system has been running on fumes since the 1980s. Economic and cultural changes decimated clubs, reshaped the recording industry and moved jazz further to the margins of contemporary culture. Few opportunities remain for young musicians to crisscross the country with name bands or work steady local gigs with veterans. Meanwhile, former apprentices who paid their dues struggle for their day in the sun.
Pianist Mulgrew Miller, artist-in-residence of the 2010 Detroit International Jazz Festival, just made it under the wire. Miller joined the Duke Ellington Orchestra in 1977 at age 21 and for the next 17 years worked steadily with some of the most imposing leaders in jazz -- drummers Art Blakey and Tony Williams, Detroit-bred singer Betty Carter and trumpeter Woody Shaw. At 55, he's one of the most respected and recorded musicians of his generation, a standard bearer for mainstream values of swing, melodic improvising, harmonic sophistication, polished technique and a tall drink of the blues.
He is, in other words, a flame keeper.