"Against that historical backdrop, I also practiced a form of racial profiling of musicians. Though I was wrong about the racial identities of the Righteous Brothers, Average White Band, and Teena Marie, I knew what black musicians “sounded like” via Motown, Stax, and Philadelphia International records. Though no one stated it specifically, there was a “black sound” and a “white sound.” To like a “white sound,” or worse, a white musician who “sounded black,” was cultural treason. Without realizing it at the time, this inhibited me on many levels, especially as a clarinetist and pianist in high school. When I was studying classical music, and I allowed myself to be moved by it, I feared that some of my black peers would see me as an Uncle Tom."
My Bill Evans Problem–Jaded Visions of Jazz and Race | NewMusicBox
An Atlanta based, opinionated commentary on jazz. ("If It doesn't swing, it's not jazz", trumpeter Woody Shaw). I have a news Blog @ News . I have a Culture, Politics and Religion Blog @ Opinion . I have a Technology Blog @ Technology. My Domain is @ Armwood.Com. I have a Law Blog @ Law.
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