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John H. Armwood Jazz History Lecture Nashville's Cheekwood Arts Center 1989
Friday, September 03, 2010
Vijay Iyer On Piano Jazz : NPR
Vijay Iyer's story is not uncommon in modern jazz. He's mostly self-taught (although he did study the Suzuki method for violin) and played in rock bands as a kid before turning to the piano and jazz. But as a highly trained scientist who holds degrees in mathematics and physics, including an interdisciplinary Ph.D. in Technology and the Arts from the University of California at Berkeley, Iyer is unique in drawing on the modern technological world as a major compositional influence on his trio. What is old becomes new again in Iyer, as he embodies a Renaissance approach to blending science and art.
Iyer leads this week's set with "I'm All Smiles," an homage to Geri Allen. His playing is similarly intense, with driving rhythm and a crystalline, intelligent touch. And Iyer uses well-placed splashes of dissonance without a hint of irony, lending a texture that keeps the music engaging without becoming clunky or overtly academic.
"That was absolutely amazing," guest host Arturo O'Farrill says. "So many different sounds and influences, and yet completely you."
Turning to the topic of composition, Iyer emphasizes the contrast between planning a piece on paper and improvising on the bandstand.
"For those of us who compose for improvisers, our process is a bit different because we're constantly test-driving ideas," Iyer says. "When you have something on paper, you're not finished [with the piece]. Ultimately, it's not about the composer, but what it evokes in the players. To me, that's the most stimulating part of the process."