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Saturday, January 21, 2006

Recently Discovered Jazz Jewel Restored by Hip-Hop Legend :: : The Number One Jazz News Resource On The Net :: Jazz News Daily

Recently Discovered Jazz Jewel Restored by Hip-Hop Legend :: : The Number One Jazz News Resource On The Net :: Jazz News Daily Recently Discovered Jazz Jewel Restored by Hip-Hop Legend
Posted by: editoron Saturday, January 21, 2006 - 06:19 PM
Jazz Festivals Noted Hip-Hop DJ GrandMixer DXT is no stranger to utilizing his prowess as a technical wizard to bridge the worlds of jazz and hip-hop music. His first foray into the jazz scene was with Herbie Hancock on the 1983 Grammy Award-winning hit “RockIt.” Since then he has worked as a musician, DJ, and studio producer fusing work in a variety of music genres. His latest studio work includes restoring the highly acclaimed Thelonious Monk Quartet with John Coltrane at Carnegie Hall, recently uncovered by the Library of Congress and now available on Thelonious Records, distributed by Blue Note Records.

In 1957, Thelonious Monk and John Coltrane formed one of the most important partnerships of jazz legends since the partnership of Dizzy Gillespie and Charlie Parker. Few well-recorded documents exist of this important partnership … until now. In early 2005, Larry Appelbaum from the Library of Congress archives ran across mysterious unmarked tapes that simply said “Sp Event Carnegie Hall Jazz Nov 29, 1957” and “T. Monk” on the back. What he found was a live recording of Thelonious Monk and John Coltrane at Carnegie Hall at a benefit concert for the Morningside Community Center that was taped by the Voice of America, the US Government’s international broadcast service, but never aired.

TS Monk, drummer and son of the jazz legend and executor of the Monk estate, secured a deal between Thelonious Records and Blue Note Records to distribute this important recording. The next task was to secure a producer who could effectively restore the nearly 50-year old tapes to modern day recording and distribution standards. TS Monk immediately thought of GrandMixer DXT, whose work he was familiar with and whose quality of work and expertise he confidently felt could meet the high demands of the job.

GrandMixer DXT was up for the challenge. In fact, he employed a process that he invented called Forensic Editing. This process utilizes the digital capabilities of today’s technology to restore analog tapes of yesterday. His process nearly eliminates the tape hiss and distortion that most analog tapes possess, without compromising the quality or integrity of the original recording. He is currently working on a variety of restoration projects with his newly formed company, TransferMaster.

As more and more jazz aficionados, music industry professionals, recording industry gurus, performing musicians, and music scholars hear the recent release of the Monk/Coltrane album, the overwhelming response continues to resound that the work is a newly-found treasure with unbelievably clear sound, thanks to the cutting-edge restoration work of GrandMixer DXT. His work has surprised those in the jazz field for its impeccable quality and as a result, it is quickly catapulting DXT to new levels of restoration and production status as the “must use” engineer for bringing older jazz recordings to life in the digital age.

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